2026 Subscription
2026 Subscription
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Our 2026 Subscription Set!
We couldn't be more excited about our 2026 lineup! Now is your chance to sign up to receive the entire set delivered to your doorstep throughout the year, as each title gets released. You'll have your copies before they’re available anywhere else.
Just in time for the holidays, this subscription is also the perfect gift for your favorite book lover, that close friend of yours living far away, or as a thoughtful gift for yourself (no one knows you better).
*For more information on each title, click here*.
Your subscription will include these five titles:
Shake Until Cloudy by Amanda Nadelberg
Amanda Nadelberg is the author of three previous collections: Isa the Truck Named Isadore (winner of the Slope Editions Book Prize), Bright Brave Phenomena, and Songs from a Mountain. A graduate of Carleton College and the Iowa Writers’ Workshop, she’s the founder of Culture Forms and lives in Oakland, California.
Callie Garnett is the author of the poetry collection Wings in Time (The Song Cave), a New York Times best poetry book of the year, and the chapbooks On Knowingness (The Song Cave) and Hallelujah, I’m a Bum (Ugly Duckling). She works as Editorial Director of Fiction and Memoir at Bloomsbury Publishing (US), and lives in Esopus, NY.
Writing a Letter, Akerman Ballet, Act 1 by Collier Schorr
As part of the New York art world of the late ‘80s and early ‘90s, Collier Schorr’s early work mined the vernacular of postmodernism to create photographs that toe the line between documentary and fiction. Often using her subjects allegorically, Schorr’s work navigates the auspices of identity politics to ask beguiling questions about the nomenclature of selfhood. Her range of imagery—from atmospheric portraiture to hard glamour—has been used in advertising campaigns for Louis Vuitton, Saint Laurent Paris, Comme Des Garcons, Hermes, and Bottega Veneta, to name a few. Ms. Schorr has exhibited widely in the United States and Europe and is represented by 303 Gallery in New York and Modern Art in London. Ms. Schorr’s work is also represented in many public collections including the Museum of Modern Art, the Whitney Museum of American Art, the Jewish Museum, and the Walker Art Center. As a consistent writer and art critic, her essays have also appeared in various museum catalogs and magazines. In the last few years Ms. Schorr undertook to adapt Chantal Akerman’s seminal and personal film, Je, tu, il, elle, into a full-length dance piece made specifically to be captured by video and published as a movement script. Ms. Schorr was appointed to the Yale faculty in 2003 and is currently senior critic in photography.
Chimes: A Monologue by Tom Cole
Tom Cole is a writer, performer, and artist living in the Lower East Side and Kingston, NY. His work has been presented at Participant Inc, Thread Waxing Space, Art on Air, Dixon Place, Clocktower Gallery, ICA Boston, Performa, Howl Arts, Poetry Project, and the Boston Center for the Arts. He is a three-time MacDowell Playwriting fellow, and an Edward Albee Foundation Playwriting fellow. Tom heads the New Play Commissioning Program at True Love Productions, where he commissioned, developed and produced Heidi Shreck’s What the Constitution Means to Me (Pulitzer Prize Finalist, two Tony nominations, Amazon Prime Original), as well as commissioning and developing major works by Craig Lucas, Nathan Alan Davis, Sheila Callaghan, and others. With True Love Productions, he has worked on over 20 Broadway productions, as well as a dozen Off-Broadway events, including Well, The Flick, Sleep No More, Skylight, Shockheaded Peter, Medea, and Waverly Gallery. He co-produced ANOHNI’s Turning (St. Ann’s Warehouse) in 2004, as well as her performance Hopelessness (Park Avenue Armory) and acted as assistant director/dramaturg/actor for She Who Saw Beautiful Things (The Kitchen). He was the artistic director of the Market Theater in Boston during its acclaimed 2000-2002 seasons, where he presented new work by ANOHNI and the Johnsons, David Mamet, Ricky Jay, Ping Chong, Frederick Wiseman, and Biljana Srbljanovic. In 1991, Tom worked with Robert Wilson on his production of When We Dead Awaken (American Repertory Theater), and from 1991-2001 assisted David Mamet on all of his major works. Tom’s writing has been anthologized in Pathetic Literature, edited by Eileen Myles; Sluts, edited by Michelle Tea; Flesh and the Word 4, edited by Michael Lowenthal; This New Breed edited by Rudy Kikel; and Flashpoint, edited by Michael Bronski.
Jorge Teillier (1935–1996) was a central figure of Chile’s Generación del 50. In 1956, at just 21, he published his first book Para ángeles y gorriones, and went on to release a series of landmark collections—including Poemas del País de Nunca Jamás (1963) and Muertes y maravillas (1971)—that established him as one of Latin America’s most original lyric voices. Teillier remained in Chile throughout the Pinochet dictatorship, entering what he called “a time of roots,” living in semi-seclusion far from the capital. Though he received high praise from contemporaries such as Pablo Neruda and Roberto Bolaño, critical recognition of his work was muted during his lifetime. He died in 1996, and is buried in La Ligua under a gravestone that reads simply “Poet.”
